Iago sees the opportunity and uses his knowledge of Cassio to get him into a fight with Roderigo. The fact that Othello is an 'honest fool' purports the greatest tragedy. He explains that there are differences in social attitudes. He flies into a jealous rage, and when he sees Desdemona he impulsively slaps her. Another example of this is found further on in the play when by controlling the circumstances Iago gets Cassio to talk disparagingly about Bianca, while Othello thinks the conversation is about Desdemona.
Iago gives two reasons for his enmity toward Othello, but Othello is unaware of them. But his standard of perfection for those around him, and his trusting nature leads him astray. Furthermore, the two had known each other for many years, having fought many battles together. It is also useful to remeber the words of the French moralist Piere Nicole on who decided whether someone was honest or dishonest in this broad behavioral sense: In Nicole's view, civilité, is one of those 'simple laws of decorum, whose authority originates in a consensus among people who have agreed to condemn those who do not obey them. Iago convinces his dupe, Roderigo, to slay Cassio.
She keeps trying to appease him and makes mistakes that worsen the situation. Their joint appeal to Brabantio will be the best possible plan of attack on Othello, as it will show Othello in opposition to the law and to a senator of the state. Despite the fact that she loves him dearly, she doesn't understand Othello as well as Iago does and so she is not able to gain Othello's trust. A Study of the Honnête Homme and the Dandy in Seventeenth- and Nineteenth-Century French Literature. Exploiting the major weaknesses of Roderigo, Cassio, and Othello, Iago is able to control and hurt them. A woman who has disobeyed her father as Desdemona has done would also be suspected of being likely to disobey and betray her husband. Luck provides him with the opportunity to stage an affair between Cassio and Desdemona, driving Othello to insanity and resulting in the death of Desdemona and Othello.
But in matters of personal honor he is not above reproach, and in his obtuseness offends lago in two ways. Doing Main Character Signpost 2 Othello arrives in Cyprus and greets his wife; declares that the Turkish fleet has been destroyed; orders a celebration to honor the defeat and his marriage; begins his honeymoon with his wife; judges Cassio after he takes part in a drunken brawl while assigned to guard duty. Being older than she is, Othello has fears that she will find a younger man who is more attractive than Othello. Iago is awarded the lieutenancy. This service will be useful for: At Studymoose.
In short, he's pretending that he's about to leave Othello all alone to solve his problem by himself. It is sufficient to observe, however, that the clear-headed lago perceives this to be his most vulnerable point, and by enlisting the dupe Roderigo, attacks him where he is weakest. It is interesting to think about the amount of time Iago spends telling Othello lies, especially after watching the clip of the movie in class today. Temptation Relationship Story Problem The problems between Othello and Iago are created when Othello is tempted to trust Iago based purely on his reputation as an honest man, and rely solely upon the ensign to produce all the evidence against his wife. In the course of one conversation Iago convinces a man who loves his wife completely that she is in fact having an affair with one of his most trusted subjects without using one shred of proof or any real basis. After Iago engineers a drunken brawl to ensure Cassio's demotion in Act 2 , he sets to work on his second scheme: leading Othello to believe that Desdemona is having an affair with Cassio.
But there's surely no great mystery about what makes this villain tick. The ensign then seeks revenge by disclosing to the squadron leader the tale's Cassio counterpart , the Moor's involvement in Desdemona's death. Relationship Story Throughline Synopsis Othello, a general serving the Venetian state, unwittingly provokes the jealousy of Iago, his ensign, who had expected promotion, by instead promoting Cassio, who, Iago claims, has little experience. Oeuvres Complètes in French and English. So with that being said, Iago targets Othello to get him to believe his lies about Desdemona. He is only pretending loyalty to Othello and is certainly not like those who loyally serve their masters all their lives and then are fired when they're too old to work.
But in spite of all that has been observed about the importance of Shakespeare's opening scenes for the exposition of his dramatic art, little attention has been paid to this fact in respect to Othello. Jackie, I definitely agree that Iago knows how to work each character and make them tick. As such, Iago is sort of guide to the soldier and the Moorish outsider. Iago knows that Othello considers him honest, and he is planning on using that in his dishonest plans. The default assumption for both men was that in battle they had to trust each other with their lives. With no reason that he dare give, he appoints a wholly inexperienced man in preference to a tried and proven soldier who had fought under his own eyes, At Rhodes, at Cyprus, and on other grounds Christen'd and heathen.
He derives great pleasure from the successful execution of his complex and dangerous intrigues. I don't think just those facts alone explain his subsequent actions, but, to me, they are totally adequate at explaining why he hates Othello. Othello is driven to torment Desdemona. It is the mode of behaving of a man-of-the-world. As their conversation goes on, Othello demands that Iago finds proof or else everything he has said is garbage and means nothing.
I think that the way that the movie portrays the scene is affective because it shows how much time was spent talking about this with Othello; it seems to be their only conversation for at least days. After Iago says that, I feel like Othello starts to give in more and more and believe what Iago is saying. This is the basis of the complaint of lago, and arouses at once his suspicion and bitter resentment, and soon turns him into an abiding but very stealthy enemy. At forty, Othello has never been in love and he impulsively, perhaps for the first time in his life, seizes an opportunity without mapping out an advanced strategy first. According to Babcock, it is not malice, but fear, that drives Iago.